Make sure you make melodies, and you can use those scales as references for what notes sound consonant with the chord. "[60] Pink Floyd keyboardist Richard Wright said that the chord progressions on the album influenced the structure of the introductory chords to the song "Breathe" on the album The Dark Side of the Moon (1973). Credits are taken from the album's liner notes. This first-take, unrehearsed Miles Davis session from 1959 is a true masterpiece. You don't have to worry about changes and you can do more with the [melody] line. That’s why we study solo transcriptions-so we can hear better ideas. Download Pdf "So What" (Miles Davis)--opening "theme" ===== comp. It becomes a challenge to see how melodically innovative you can be. Deux rééditions sont couramment rencontrées : celle-ci, fabriquée par DOL, qui est une société russe pressant ses disques en république tchèque et une autre, Columbia, propriété actuelle de Sony. [10]:90 Macero's first Davis production was his next record, Sketches of Spain.[10]:166. "[67] The singer Bilal names it among his 25 favorite albums and "an important record" for him. Blue in Green (B) • 4. When you visit any website, it may store or retrieve information on your browser, mostly in the form of cookies. However, the Newport Jazz Festival recording on July 3, 1958, reflects the band in its hard bop conception, the presence of Bill Evans only six weeks into his brief tenure in the Davis band notwithstanding, rather than the modal approach of Kind of Blue. Miles Davis LP Kind of blue. Takes my breath away. "[64] Along with Time Out by the Dave Brubeck Quartet (1959) and Coltrane's Giant Steps (1960), Kind of Blue has often been recommended by music writers as an introductory jazz album, for similar reasons: the music on both records is very melodic, and the relaxed quality of the songs makes the improvisation easy for listeners to follow, without sacrificing artistry or experimentation. Although improvisation takes up the majority of the piece, it does have a compelling riff that sets the piece in motion and sets up the stage harmonically for the improvisations. Some tracks are available on other reel tapes issued current at the time of or following the original release of the album, as by Various Artists. [42] Though Davis and Coleman both offered alternatives to the rigid rules of bebop, Davis would never reconcile himself to Coleman's free jazz innovations, although he would incorporate musicians amenable to Coleman's ideas with his great quintet of the mid-1960s, and offer his own version of "free" playing with his jazz fusion outfits in the 1970s. Here is the theme of So What, from the Miles Davis album Kind of Blue. The rhythm section of Kelly, Chambers, and Cobb backed Coltrane for Coltrane Jazz and one track on his landmark Giant Steps, which featured Chambers throughout. Quoted in Ashley Kahn. Davis himself had previously used the same method on his 1958 Milestones album, the '58 Sessions, and Porgy and Bess (1958), on which he used modal influences for collaborator Gil Evans's third stream compositions. 1 contributor total, last edit on Oct 26, 2016. Every track on Kind of Blue is beautifully done and all are absolute exemplars of perfection, though (if pushed) my favourite track would be the final track Flamenco Sketches (#5), by which time you are floating through the air with the album’s sublime melodies. Interview to Shirley Horn. 4, Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. The 3 incorrect ones had MoFi edition pressings of “The Cars Shake it Up” as the second record instead of the second record in the Miles … He also borrowed from Bill Evans, the principal creator of this album, the kind of blue that is reflected in “Blue In Green.” For the last time, Miles called back the pianist who had just left his quintet, and it was Evans’ harmonic conceptions, inspired by early 20th century … [13] The first release with a producer credit was the 1987 CD, which credited only Macero. 4, Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. Produced that reissue, not the master, was clearly that of an apprentice and observer. chord structure later! De cette œuvre musicale est Miles Davis, Coltrane, Adderley ) introduction bass tabs era. Four-Measure introduction theme makes the piece unusual produced by Columbia staff producer Irving.. 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